Режиссер Ретро-Футуристического Эфира

A stylized studio portrait of a man transformed into an alternative history television broadcast engineer. CRITICAL FOR FACE AND HAIR: Transfer face exactly 1:1 from the uploaded photo. Preserve identical facial features (eyes, nose, lips, jawline, eyebrows), skin tone, and the EXACT same hair — same color, same length, same texture, same hairstyle as in the reference. Do not change hair color under any lighting condition. Maintain identical body proportions and build. His body is angled slightly within the frame, looking confident straight into the lens, with a floating analog television glass grid overlay in front of him. He is wearing a structured charcoal-gray wool zip-up jacket over a dark olive-green fine-knit turtleneck top and sleek dark trousers. The setting is an avant-garde television control unit from an alternate 1960s era, featuring beige steel switchboards, glowing orange vacuum tubes, and floating sheets of technical papers suspended mid-air behind him. The lighting relies on professional heavy softbox illumination mixed with harsh colored rim lighting from red and yellow cathode displays, producing crisp reflections on skin and clothing. NEGATIVE: no face distortion, no hair color change, no extra fingers, no plastic skin, no blur, no oversaturation, no franchise references, no brand logos, no nudity, fully clothed. Full body visible, centered composition, fully clothed, nothing cropped at edges. Shot on Canon EOS R5, 8k, photorealistic, sharp focus, cinematic lighting.